Friday, December 4, 2015

iLoveMakonnen: iLoveMakonnen 2

The sense of intimacy social media allows with stars can be tricky. Even in the most naturalistic and organic-feeling social media moments—a Snap of DJ Khaled extolling the virtues of water and cocoa butter; unscheduled Twitter rants that turn into full-blown hip-hop feuds—an element of pre-meditated performance still exists. These guys wouldn't be successful entertainers without that instinct.

iLoveMakonnen is one of a few genuinely engaging artists on Snapchat. When he Snaps himself covered in blankets in a cold hotel room, or of himself confronting pre-show jitters, his personality comes through so clearly it's hard to not feel moved. He's always seemed like a genuinely unique and humble guy, maybe somewhat performatively so. But what social media isn't in some way performative?

This matters in perceiving Makonnen's art because his relatability has always worked in his favor, even when some of his songs threaten to go off-the-rails, since his limited voice can only take him so far. He seems like a guy you know. "Tuesday" was a giant hit because it nailed something about the melancholy one feels when out on a weekday—it feels liberating, because so few people are out, but it can also be a stark reminder of the aimlessness that comes when you're unemployed, or depressed, or, in the conceit of the song, dealing drugs on the weekend. But those details didn't matter. We've all had a Tuesday (or Wednesday, or Thursday) night end far later than it should have. And it struck the kind of relatable chord that Drake does well, which naturally led to his golden co-sign.

Fast-forward a year and after this spring's experimental but quietly compelling Drink More Water 5 mixtape, and Makonnen has released the official follow-up to his first EP on OVO Sound. Some of these songs have floated around for a year or so and are staples of his live performances. But more than even the first EP, which delivered a handful of great hip-hop-indebted pop songs, this sequel EP bursts with a confidence that's earned after you go through the hit-song-now-what? grinder. Compared to his last mixtape, the hooks are sharp enough to cut glass, and the sequencing ensures that every facet of Makonnenfrom Heartbroken Makonnen to Riotous Makonnen to Warble Makonnen to Onomatopoeia Sex Jam Makonnenalternates every song.

On the lights-down, open-curtain starter "Forever", Makonnen hits the ground running: "I remember when you said you needed a love that lasted forever," before the ominous beat finally drops. The open-throated ballad kicks off his second EP as ably as Tom Cruise scaling a mountain during the first moments of Mission: Impossible 2. By the time Santigold shows up to memorably rap a few bars, the hooks (literal and figurative) have sunken in—Makonnen is aiming for the fences with his pop instincts.

However, the record is at its best in the contemplative heartfelt-loner love songs, like "Second Chance" and "Being Alone With U", in which Makonnen embodies his hip-hop-Morrissey role. Closer "I Loved You" perfects this formula with a stark piano on a trap beat. Makonnen offers formulaic Drake-isms like "I know you think about me when I'm not around," but they feel fresh in context because we feel like WeKnowMakonnen.

"Trust Me Danny" is the EP's signature moment, a windows-down banger that pays homage both to Makonnen's producer Danny Wolf and a viral Vine. It encapsulates Makonnen's aesthetic as well as his target audience—fans and students of hip-hop who recognize that hooks need to sail for maximum effect for a track to land as a rap anthem. Makonnen isn't another "weird" rapper cashing in, making disposable jokes and internet references for a Twitter-ready crowd before everyone wakes up and goes, "Where are the hits? Where are the hooks?" On this EP, he's angling to be a real pop star, to step out of the OVO shadow (which hasn't produced a major pop crossover artist since the Weeknd) and onto the radio. It's hard to know if that'll happen, but coming with a likable persona, real pop-songwriting chops, and an established audience never hurt anybody.

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